"Dadasaheb Phalke was no archetypal human being with the intention of we come across in our on a daily basis life, as well as portraying him in the character of a common man would be a severe injustice to his personality as well as achievement," says Paresh Mokashi, director of Harishchandrachi Factory, a film based on the life of the Father of Indian Cinema.

In Mokashi's observation, the movie cannot be deemed as a biographical work on Dadasaheb Phalke as it cover no supplementary than a specific period of his life (from 1911 to 1914) when he was energetically afraid in movie making.

"I a great deal depended on two books accessible on him; one in black and white by Bapu Watve as well as the supplementary titled 'Maunankit' penned by Gangadhar Mahambre. Dadasaheb's incursion into diversified fields, ranging beginning studying art at the JJ School of Arts to education magic from a German expert, as well as his stint by means of the Archaeological Survey of India surroundings up a print press, was itself inspirational to me."